Biography
Described by Pierre Boulez as ‘un musicien formidable’ and ‘unflaggingly robust’ by Opera Magazine, tenor Brian Smith Walters began his musical career as a French horn player before turning to singing. In his career, Brian has performed over 75 roles, including such roles as Tristan Tristan und Isolde, Siegfried, Parsifal, Siegmund Die Walküre, Paul Die tote Stadt, Samson Samson et Dalila, Captain Vere Billy Budd and Peter Grimes. He has worked with conductors Valery Gergiev, Sir Mark Elder, and Christoph Eschenbach in the Lucerne, Schleswig-Holstein, Longborough, Buxton, Grange Park, and Aldeburgh festivals with additional work at the Barbican, Polish National Opera, English National Opera and Royal Opera, Covent Garden.
In contemporary music, he has premiered various works by Nicola LeFanu, Michael Torke, Domenic Muldowney, and Ailis Ni Riain and has collaborated with Harrison Birtwistle, Oliver Knussen, and Pierre Boulez on performances of their works. As a student, Brian was the UK’s sole representative to the first Lucerne Festival academy for contemporary music.
Brian has performed on BBC Radios 3 and 4; SWR Radio (Switzerland); NDR Radio and Television (Germany); and African Television.
Recent career highlights have included performing the role of Mark in Ethel Smyth’s The Wreckers as part of the centenary of women’s suffrage; singing Andrei in the English premiere of Tchaikovsky’s The Oprichnik; singing Menalas in the UK premiere of Strauss’s Die ägyptische Helena (Wiener Fassung); and making his New York debut, singing Siegmund in Carnegie Hall for Manhattan Opera working with staff from the Metropolitan Opera.
Please contact for a full CV.
In both major areas of his career - performing and teaching, Brian has shown an aptitude and a track record of excellence.
In his singing, Brian brings a warm, rich voice that can carry over a large orchestra and experience in singing multiple roles in many genres and languages.
In his teaching, Brian combines his performance experience and his serious study of both bel canto, modern MT techniques, and current voice science. As a bigger voice himself, Brian understands the timeline one needs as a bigger voice as well as the challenges of the opera and MT worlds.
Evidence following on this page to support these claims, but do see Brian perform, invite him to audition, or have a lesson to experience for yourself.
Performing
Vocal
- serious study of bel canto style
- 8 years of university/music college study, Royal Northern College of Music and University of the Pacific's Conservatory of Music
- professional development Intensive Opera Course taken at Associated Studies, London
- Estill technique studied in Amsterdam
Drama
- trained in Meisner and Chekhov methods
- professional development in Stanislavski after university study
- music theatre experience from youth to university
Additional Skills
Language Skills
- French and German: high competency
- Italian and Spanish: intermediate level
- Russian, Czech, and Polish: basic level
Instruments
- French horn: professional level
- Piano: grade 8 standard
- Trumpet: intermediate level
Dance and movement
- dance classes taken in basic styles for the stage (eg waltz, polka)
Teaching
-experienced vocal teacher and coach, having been teaching since 2003, working with both individuals and ensembles. Though focusing mainly on classical and music theatre styles of singing, he has also pop, rock, jazz, and country styles
-experienced MD at college and university levels
-taught on A-level Music, A-level Performance Studies, and BTEC Acting courses for over a decade
-In the classical realm, Brian's students have performed at Royal Opera (Covent Garden), English National Opera, Scottish Opera, Welsh National Opera, and at the Longborough and Glyndourne Festivals. In music theatre, his students has performed in the West End and Broadway and on tour throughout the UK and worldwide. In commercial contemporary music, his students have been featured on Apple and Spotify playlists and have performed around the world.
A few quotes from students
'I can thoroughly recommend Brian to anyone wishing to better this singing technique, whether you want to focus on the standard operatic canon, on musical theatre, on heavier German & Russian repertoire or even contemporary vocal works requiring extended techniques.
Brian is a skilled linguist as well as an accomplished musician. Unlike other singing teachers, Brian has no ego and is purely there to help and support his students, in any way he can. He simply loves music and singing, and it shows.'
-Arthur Bruce, baritone, Royal Opera and Oldenburg Oper
'Brian has a wealth of professional experience with a wide-range of repertoire, including covering big roles in A houses. A lot of teachers cannot put their money where their mouths are. He's actually out there doing it.
Brian has an exceptional sense of pitch - to the microtonal degree. And I think it is to the immense benefit of his students that.
Brian allows students to experiment freely in a kind, warm-hearted, supportive environment while also keeping them neatly reined in career pragmatism, care, and honesty.'
-Charles Styles, Yale Opera School and Glyndbourne Festival
'I came to Brian, after a few months of really struggling vocally, as I was told he was particularly good at helping to restructure voices that needed a little help. Brian's vast knowledge of both vocal anatomy, teaching techniques and most of all patience means he has been able to help me immensely. He is kind and careful and able to adapt his teaching, not just to different students, but also to how a particular student is feeling on a given day. Brian rocks.'
-David Horton, English Touring Opera and Longborough Festival
'When choosing a teacher, it is more than just finding someone to improve your technique. It is about having a mentor you can trust fully to make decisions in your best interest, motivate you and to inspire you through a very tricky career path. Brian was the person for me as he done all of these things for me and more. He has helped me navigate previous issues and traumas from bad experiences and ensured that they are left in the past in order to move forward positively.
Brian is a teacher who not only make you a better singer, he makes you a better and well-rounded artist.
-Rachael Hughes, lyric soprano, Flat Pack Opera and Longborough Festival
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